The choice of works and furnishings follows a precise narrative. There are traces of presences, not true alterations,” they explain. ![]() Giovanni and Nicoletta try to “produce and select works with discretion, with the aim of not disrupting the overall intact beauty of the island. Every owner has worked to assert their own personal imprint and to mix it with the others, without erasing the signs of their predecessors. The entire island thrives on a sort of layering of identities. Whether the story about Le Corbusier is fact or fiction, the rationalist villa does display certain aspects emphasized by the great Franco-Swiss master in his praise of the spontaneous architecture of Capri, published in Domus in October 1937: “pure and simple it is a sort of architectural blossoming, rooted on the side of the island.Īn emanation of the rock, a filiation, a botanical phenomenon, almost an architectural lichen” born on a new “landscape created by man” across the centuries. Partially below ground, one of the two levels has large windows and glass doors for a 360-degree view of the splendid panorama. ![]() ![]() Two original volumes on two levels, one in length and one in depth, form a clean perimeter to which a portico was later added, facing a belvedere terrace, with crenellations to complete the façade. Li Galli (Longobardi, Castellammare di Stabia 1997), writes that for the overall design of the house Massine contacted his friend, the architect Le Corbusier. Romolo Ercolino, in L’isola delle sirene.
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